Thursday, November 29, 2007

Adobe Photoshop Lightroom Book for Digital Photographers



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Author: Scott Kelby


Editorial Reviews
Review
Book Description

Free Lightroom 1.1 update available. Simply visit peachpit.com/register to gain instant access.

Scott Kelby, author of the world's #1 bestselling Photoshop book, The Photoshop Book for Digital Photographers, brings his same award-winning, step-by-step, plain-English style, look and feel to The Lightroom Book for Digital Photographers.

This groundbreaking new book doesn't just show you "which sliders do what" (every Lightroom book does that). This book takes you beyond that to reveal the secrets of the new digital photography workflow, and he does it using three simple, yet brilliant techniques that make this just an incredible learning tool:
  1. Throughout the book Scott shares his own personal settings and studio tested techniques he's developed using Lightroom for his own photography workflow since well before Adobe released even the first Beta version. He knows what really works, what doesn't, and he tells you flat out which tools to use, which to avoid, and why.
  2. The entire book is laid out in a real workflow order with everything step-by-step, so you can jump right in using Lightroom like a pro from the very start and sidestep a lot of productivity killing road blocks and time-wasting frustrations that might have tripped you up along the way.
  3. But what really sets this book apart from the rest, are the last two bonus chapters. This is where Scott visually answers his #1 "most-asked" Lightroom question, which is: "Exactly what order am I supposed to do things in, and where does Photoshop fit in?"

Scott teaches this in a manner we've never seen before in any book, by really showing every step of the entire process, from the initial shoot to the final prints. Both chapters start with an on-location photo shoot, including full details on the equipment, camera settings, and even the lighting techniques. You'll see it all as he takes the photos from each shoot (with you following right along using the very same images) all the way through the entire workflow process, to the final output of the 16x20" prints for the client. Plus, because he incorporates Adobe Photoshop seamlessly right into this workflow, you'll also learn some of his latest Photoshop techniques for portrait and landscape photography, which takes this book to a whole new level.

It's the first, and only book to bring the whole process together in such a clear, concise, and visual way. Best all, it's taught in Scott's trademark plain-English style that has won him legions of Photoshop fans around the world, and made him the #1 bestselling author of all computer books across all Computing and Internet categories since 2004.

If you're one of those people who learns best by actually doing the projects yourself; who learns best without all the complicated technical explanations and confusing jargon, and if you really want to start using Lightroom today to unlock the productivity secrets of "The new digital photography workflow,"----there is no faster, more "straight-to-the-point" or more fun way to learn than this groundbreaking new book, and you are absolutely going to love it!

Product Details
  • Paperback: 416 pages
  • Publisher: New Riders Press; 1 edition (April 16, 2007)
  • Language: English
  • ISBN-10: 0321492161
  • ISBN-13: 978-0321492166
  • Product Dimensions: 9.9 x 8 x 0.8 inches
  • Amazon.com Sales Rank: #1,306 in Books

Customer Reviews
Comprehensive and/but Breezy, May 16, 2007
By Conrad J. Obregon (New York, NY USA)
Some folks have suggested that Lightroom is so intuitive that you don't need a book to learn to use it. Maybe my intuition is weak, but the more I read about Lightroom, the more I learn it can do, and the more I begin to like it. Although Scott Kelby's book covers all the basics, from importing digital images into Lightroom to outputting them to prints, websites and slide shows, he also shows how to use a lot of other controls and capabilities that I had not come across elsewhere.

Now I'm often put off by Kelby's breezy style of writing (e.g., "that way, when no one's around, you can ...play slide shows until it's time for your weekly therapy session") but here when he uses it in a book that's meant to be read from start to finish, it helps keep one from getting bored. And this book is meant to be read that way by a new user of Lightroom.

What makes the book even more useful is the step-by-step screen saves. The language for each illustration appears exactly adjacent to the illustration, even if that means leaving a lot of white space in the writing. Moreover, to overcome the problems of the Lightroom interface being harder to read on a printed page than on a monitor, Kelby directs your attention to the right place on the screen with a red circle. This may not seem like graphics enlightenment, but it's not a common technique.

I've said that Kelby goes beyond the intuitive. For example, I never would have guessed that Lightroom could be set up so that you could transmit an image directly into your e-mail from Lightroom, but Kelby shows how.

I've also been puzzled by how to move a photo from my internal disc drive to an external drive for archiving with Lightroom. There's no "Move" in the Edit dropdown menu. Then the author explained that I could create a new folder on the external drive from within the Folders Panel, select the image, and just drag it to the new folder. Presto, the image is moved and Lightroom updates its database to show the new location. It may be, with its excellent keywording and metadata facilities, that Lightroom will become the digital asset management solution for a lot of photographers.

I also appreciated the fact that the author was not afraid to say how inadequate the sharpening facility of Lightroom is. But he didn't stop there. He showed how to easily move a picture into Photoshop from Lightroom, sharpen it and then move it back. It still means purchasing both Lightroom and Photoshop, but at least there is a better way to handle sharpening. Given the advantages of Lightroom over Adobe Bridge and ACR as a front end, serious photographers will certainly consider using both pieces of software.

In the last chapters of the book, Kelby takes two different types of photography, wedding and portrait work, and landscape photography, and follows the workflow through Lightroom and Photoshop to tie everything that came before together in a fitting summary.

There's not much talk about art here, but when it comes to using the technology of Lightroom, this book seems to be as good as it gets.

NOTE: Since this book was published, Adobe came out with a significant update to Lightroom (v1.1). Owners of this book may download a PDF file covering the changes in v1.1 by going to www.scottkelby.com and following the links.


A very instructive and clear book on working with Lightroom, April 5, 2007
By calvinnme "Texan refugee" (Fredericksburg, Va)
This book is about "Lightroom", which is a workflow tool aimed at digital photographers that don't want to take the time to become familiar with the mammoth application that Adobe Photoshop has become because it really isn't necessary for the scope of their work. The book gives you step-by-step directions on the detailed tasks of:
  1. Importing your photos into Photoshop Lightroom
  2. Sorting and organizing your photos using the Library Module
  3. Making minor adjustments to photos using the Library Module's Quick Develop panel
  4. Performing major adjustments by editing in the Develop Module
  5. Fixing common problems such as red eye, noise, chromatic aberrations, etc.
  6. Changing color photos to black-and-white using several different methods
  7. Sharing your photos via the Slideshow Module including adding music and choosing playback options
  8. Using the Print Module to print your photos in a variety of ways such as adding text, setting up color management, and printing multiple photos on one page.
  9. Using the Web Module to create a gallery for your photos viewable via the web.
There are two final chapters that act as capstones. The first of these final chapters takes you through the steps you have learned in this book to produce a wedding portrait workflow whose ultimate goal is to have photos that the clients can proof on the web. The second of these two chapters has a workflow that is specifically for outdoor photographers. All through the book the author leads you through his formula for working through each problem. His method doesn't allow you to go off and take several paths. By working through the author's method of doing things, he hopes you will walk away with a clear idea of how to use Lightroom his way and use that as a jumping-off point for your own investigation of the tool. The photos that the author works with are downloadable so that you can follow along with him using exactly the same photos as he does.

Overall, I really liked the author's approach and I thought it was quite clear with plenty of screenshots so that the reader does not get lost. The only thing I did not like about the book is that it has a jokey style that is done to the extreme in places. In particular, the first part of the book has a largely bogus Q&A session that does answer some serious questions but also wastes some serious space just joking around. Likewise, the first page of just about every chapter has a conversational "surfer dude"/Andre Lamothe verbal style before the author gets down to business. However, if you can overlook this, the book is very good at teaching the reader how to work with Lightroom.


Best computer book I've read yet, May 25, 2007
By Pokeweed "Pokeweed" (Denver, CO USA)
I am a very experienced computer user, and have read countless books. This is the best yet. It is extremely well organized. Each section is written in a step by step fashion of what to do. It is written by a photographer - not a computer geek, so the steps are really practical to improve your workflow. I'm not a pro - just an amateur. But with my digital SLR, it's not unusual to generate 200 - 300 images at a shoot. Scott Kelby's tips on improving workflow are awesome. Further, using Lightroom with the tips from this book will make me a better photographer.

The entire book is beautifully printed in color! It is divided in to very manageable sections, making it a breeze to use. If you want to learn Lightroom, you owe it to yourself to read this book.

Wednesday, November 28, 2007

Skin: The Complete Guide to Digitally Lighting, Photographing, and Retouching Faces and Bodies



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Author: Lee Varis


Editorial Reviews
Review
A Hollywood photoillustrator with 30 years of experience, Varis has been published in National Geographic, Newsweek, and Fortune magazines. Far from a manual on fashion or nude photography, this is a comprehensive tutorial on how to photograph all types of people: young, old, and dozens of ethnic varieties. Varis supplements the book with a CD of numerous before-and-after sample image files and technical reference materials. He begins with a discussion of the right hardware and software and how to configure them, then teaches digital color management and lighting techniques as they apply to portraiture. He also provides in-depth chapters on retouching and special effects, including such techniques as skin smoothing, beauty retouching, screen diffusion, and depth of field effects. Highly recommended for serious students. (Library Journal, March 15, 2007)

Book Description
Achieving accurate skin tones is one of the most challenging tasks in digital photography. Master this challenge with professional photographer Lee Varis as he covers a range of skin: women and men, young and old, various tones, in-studio and outdoors, tattoos, and more. His step-by-step tutorials and before-and-after illustrations demonstrate various techniques for topics such as digital-specific lighting challenges and what can and cannot be done in post-process.
A free CD-ROM accompanies the book and contains sample image files to use while following the tutorials, plus equipment recommendations and technical reference materials that enhance and reinforce the instruction.

Order your copy of this practical guide today and get a complete start-to-finish approach to integrating everything from posing models to shooting and retouching candid scenes.

From the Back Cover
A practical guide to photographing people in the digital age

It's one thing to snap someone's picture. It's another thing entirely to capture the essence that made you reach for your camera in the first place. Now a top Hollywood pro shares his secrets for the digital capture of human skin in all its variety: young, old, male, female, different skin tones and ethnicities, with makeup or without—even tattooed skin!

Using step-by-step tutorials and stunning full-color examples, industry expert Lee Varis teaches it all: the basics of digital imaging, essential tricks to shooting indoors and out, how to light your subjects in any pose, and much more. Above all, you'll find out why the color of skin that's best for final output is almost always a departure from reality.

Topics include:
  • Starting with the right hardware and software settings
  • Developing your digital color "chops"
  • Mastering Rembrandt lighting and other basic techniques
  • Overcoming common digital skin problems, such as too much red
  • Adjusting skin tones to withstand nearby colors like green grass
  • Faking tattoos and photographing the real thing
  • Trimming the fat, lighting up the eyes, and filling in wrinkles
  • Adding soft focus, retouching, and other advanced Photoshop® techniques
  • Discovering what can and what can't be done in post-process
Follow the tutorials in the book with numerous before-and-after sample image files on the companion CD. You'll also find technical reference materials to enhance and reinforce your learning.
  • Know how to soften wrinkles and change shapes—and when not to!
  • Beautifully color-balance every skin tone
  • Brilliantly light any number of subjects in any location
Product Details
  • Paperback: 432 pages
  • Publisher: Sybex; Pap/Cdr edition (October 16, 2006)
  • Language: English
  • ISBN-10: 047004733X
  • ISBN-13: 978-0470047330
  • Product Dimensions: 9.9 x 7.8 x 1.1 inches
  • Amazon.com Sales Rank: #2,501 in Books
Customer Reviews
48 of 51 people found the following review helpful:
Provocative, December 1, 2006
By Conrad J. Obregon (New York, NY USA)
It probably says more about me than the book that I found a title which applies to something that surrounds every person provocative. However, it's likely that advanced Photoshop users will find something provocative in this book

The book is aimed at photographers who know the basics of photography, including exposure, and the use of Photoshop including layers and masks. The author's emphasis is on portraits and people photography and how to get the most from photographs of these subjects. Although the author spends a little time looking at hardware like digital cameras and at basic portrait lighting techniques, his main concern is with post processing.

The author's stated aim is to fill the gaps left by other books, like the reproduction of dark skin. And he does this in many ways that I haven't seen before. For example he suggests better skin colors can be achieved by looking at the CMYK readings and applying a rule of thumb. (If you don't know what CMYK is, this book isn't for you.) Varis suggests that for Caucasians magenta and yellow should be of approximately equal value, with cyan a fourth to a third of the value. Images of African Americans should have a higher percentage of cyan and magenta. He then tells you how to make these adjustments. He also shows how to make tone and contrast adjustments for both color and black-and=white images.

The author devotes a chapter to retouching, showing the reader how to ease those wrinkles and even do a little tummy tuck in Photoshop. He also devotes space to special effects, but he emphasizes alteration of the image not to tell lies, so much as to give effect to the photographer's vision. There is also a chapter on preparing output for print.

Most of the techniques that Varis shows are attempts at improvements on simpler Photoshop techniques. For example in the chapter on preparing for printing, he describes a method of improving on the usual unsharp mask sharpening. He does this by adding two additional layers that allow individual control of the prominence of the light halos and the dark halos that are the essence of unsharp mask.

Application of these techniques requires effort above and beyond normal Photoshop processing. How useful they will be depends on the amount of work you are willing to invest in an image, although most of the techniques could certainly be embedded in actions. Equally important is the question of your own ability to envision when to employ a particular technique to improve your work. An alternate consideration might be your willingness to experiment with several techniques to see which will benefit you.

The book includes a CD with the images used as examples in the book. I recommend that you read chapter 9 of the book which discusses these images before any other chapter. Then unzip the folders they come in into a new folder and follow along with the book. Often the changes are subtle and more easily seen on a monitor as they are made than on the printed page.

In summary, this is a book for the experienced Photoshop user, willing to spend the time examining techniques that might enable one to get that slight edge in his or her photographs that would put one ahead of other digital photographers.

34 of 40 people found the following review helpful:
One of the four best Photoshop books I know of, January 12, 2007
By Jerry Saperstein (Evanston, IL USA)
Lee Varis has written a superb treatise - and that's what it is - on "digitally lighting, photographing, and retouching faces and bodies". He joins a short list of Katrin Eismann and Steve Caplain as the best teachers of Photoshop I am aware of.

Eismann has written books on retouching and masking that are absolutely essential. Caplain has written the bible on Photoshop montage. Varis has written the last word on on photographing people in the digital age.

One aside: all three of these authors are to be thanked for not attempting to be comedians along the lines of Scott Kelby, Deke McClelland and Russell Brown. Where this business of Photoshop authors trying to be "funny" started is unknown, but it is a ghastly thing when the author truly isn't funny.

Anyway, Varis covers the waterfront here, when it comes to photographing people. Everything. Color. Lighting. Correction. Retouching. Printing. In all, this book is about making the most of the people you photograph.

Profusely illustrated, Varis takes the reader step-by-step through each and every process.

There are a lot of Photoshop books out there, but few truly great ones. This is one of the few.

13 of 14 people found the following review helpful:
Book of the Year for people shooters, December 18, 2006
By Gary Jean (Alexandria, Virginia)
Photo techniques books have a tendency to rehash things we've seen before. Not this book. It is chock full of stuff that I have never seen in print.

The "focus" of the book (in case you didn't guess) is human skin, and the difficulties of digital capture, development, retouching and preparing for output.

Varis provides an explanation for the tendency of digital sensors to over-emphasize the red component of skin color. Better yet, he provides several techniques to effectively deal with the problem.

One way is a new camera calibration technique that uses a Macbeth color checker and Adobe Camera Raw. What's new about that? His method uses hue and saturation adjustments, which coincide with the adjustment sliders in the calibration tab of ACR. This is quite different, and potentially much easier, than Bruce Fraser's method (Real World Adobe Camera Raw), which requires a series of trial and error RGB adjustments.

Varis points out that "correct" RGB calibration may still have the "skin" block of the Macbeth color checker too red. He offers an alternative calibration that gives "correct" skin color, but may move the red block toward yellow. No free lunches. However, both calibrations can be saved in ACR and selectively used depending on subject matter.

Varis also presents skin correction techniques using Photoshop CS2 Hue-Saturation-Lightness layers. This is another straightforward and effective tool that I have never seen in print.

Varis writes for the professional and assumes some proficiency in Photoshop. However, there is much for the advanced amateur in his book.

Highly recommended!

Photoshop Elements 6: The Missing Manual


Rating by customers
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4 star:(1)
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Author: Barbara Brundage

Editorial Reviews
With Photoshop Elements 6, the most popular photo-editing program on Earth just keeps getting better. It’s perfect for scrapbooking, email-ready slideshows, Web galleries, you name it. But knowing what to do and when is tricky. That’s why our Missing Manual is the bestselling book on the topic. This fully revised guide explains not only how the tools and commands work, but when to use them.

Photoshop Elements 6 is packed with new features. You get a new Quick Edit function, Windows Vista compatibility, improved RAW conversion, a handy Quick Selection Tool, and more. In fact, there’s so much to the latest version that it can be quite confusing at times. Photoshop Elements 6: The Missing Manual carefully explains every feature the program has to offer by putting each one into a clear, easy-to-understand context –something no other book does!
  • Learn to import, organize, and fix photos quickly and easily.
  • Repair and restore old and damaged photos, and retouch any image.
  • Jazz up your pictures with dozens of filters, frames, and special effects.
  • Learn which tools the pros use — you’ll finally understand how layers work
  • Create collages and photo layout pages for greeting cards and other projects.
  • Get downloadable practice images and try new tricks right away.
This guide progresses from simple to complex features, but if you’re ready for the more sophisticated tools, you can easily jump around to learn specific techniques. As always, author Barbara Brundage lets you know which Elements features work well, which don’t, and why — all with a bit of wit and good humor.

Don’t hesitate. Dive into Adobe’s outstanding photo editor with Photoshop Elements 6: The Missing Manual right away.


Product Details
  • Paperback: 586 pages
  • Publisher: OReilly (2 Nov 2007)
  • Language: English
  • ISBN-10: 0596514441
  • ISBN-13: 978-0596514440
  • Product Dimensions: 22.9 x 17.8 x 4.1 cm
  • Amazon.com Sales Rank: #505 in Books

Customer Reviews
16 of 18 people found the following review helpful:
A must have for photoshop users!!, November 15, 2007
By J. Cecil (California, USA)
I am new to photoshop, and recently bought the new Elements 6. I was looking for a book to help with digital scrapbooking in elements, and found this. It is not specifically for scrapbookng, but I have found everything I needed quickly and easily! It is a fantastic book, written in easy to understand format. I have already recommended it to other friends both new and old to photoshop. MUST HAVE!!


3 of 3 people found the following review helpful:
The Missing Manual Photoshop Elements 6 is a must buy., November 25, 2007
By David Shapiro (Pine Knoll Shores, NC USA)
The Missing Manual has filled in the gaps that you miss when reading the book thats included with the product. This manual has helped me understand Digital Photography at the pro level. Now I know not only theory but also when and why I must do things.


4 of 5 people found the following review helpful:
money well spent, November 23, 2007
By --pat (in OR for the summer)
It's nice to have this book to grab, now that I'm starting at the very beginning with PE. I think it could be twice as long and still not do the software justice. I was trying to figure out how to take an existing photos directory that has many subdirectories and convert it to a PE catalog. This book isn't clear enough on the organization features. But it's a whole lot better than the nothing that comes with the software.